J. Roth

Spring 2008

World Masterpieces 272 Assignments

 

â = Topics and readings we will cover in class.  These are subject to exams, pop quizzes, etc. 

 

Other authors and works listed are open to further research on your part or as assigned.

 

 The Enlightenment, pp. 1-9

 

â Jean-Baptiste Moliere and Tartuffe (1664), pp. 10-67

 

      â Jean Racine and Phaedra (1677), pp. 159-200

 

            Jonathan Swift and Gulliver’s Travels (1726), pp. 289-340

 

            Jonathan Swift: A Modest Proposal  (1726), pp. 341-347

 

            Alexander Pope and The Rape of the Lock (1717), pp. 347-368

 

      â Francios-Marie Voltaire and Candide (1759), pp. 375-438

 

 The Nineteenth Century:  Romanticism, pp. 485-495

 

      â Jean-Jacques Rousseau and Confessions (1781-1788), pp. 496-519

 

            Goethe and Faust (1808), pp. 519-625

 

      â William Blake (1794), pp. 682-693

 

â William Wordsworth (1798), pp. 693-704 (with additional selections)

 

â Dorothy Wordsworth and The Grasmere Journals, pp. 705-735

 

    Samuel Taylor Coleridge (1816), pp. 736-743

 

â Percy Bysshe Shelley (1818-1820), pp. 748-754 (with additional selections)

 

â John Keats (1818-1820), pp. 755-764 (with additional selections)

 

â Selected Continental Romantic Lyrics (Mid-1800’s), pp. 764-799

 

â Alfred, Lord Tennyson (1842), pp. 820-843 (with additional selections)

 

â Robert Browning (1842-1855), pp. 843-856 (with additional selections)

 

â Frederick Douglass (1845), pp. 856-915

 

â Walt Whitman (1855), pp. 916-928 (with additional selections)

 

â Herman Melville and Billy Bud, Sailor (1891), pp. 928-985

 

â Emily Dickinson (Mid to Late 1800’s), pp. 986-995

 

 The Nineteenth Century: Realism, and Symbolism, pp. 997-1007

 

            Gustave Flaubert and Madame Bovary (1856), pp. 1033-1249

           

Fyodor Dostoevsky and Notes from Underground (1864), pp. 1250-1327

 

â Leo Tolstoy and The Death of Ivan Ilyich (1886), pp. 1327-1368

 

Charles Darwin and The Origin of the Species, pp. 1370-1376

 

Karl Marx and Friedrich Engels, Manifesto of the Communist Party, pp. 1381-1390

 

Henrik Ibsen and Hedda Gabler (1890), pp. 1407-1466

 

       âAnton Checkhov and The Lady with the Dog (1899), pp. 1486-1502

 

 The Twentieth Century: Modernism and Modernity, pp. 1621-1631

 

 â Joseph Conrad and Heart of Darkness (1902), pp. 1632-1692

 

 â Sigmund Freud (1905), pp. 1693-1699

 

 â William Butler Yeats (Late 1800’s—Early 1900’s), pp. 1723-1736

 

            Luigi Pirandello and Six Characters in Search of an Author (1921), pp. 1736-1780

 

Marcel Proust and Swann’s Way (1913), pp. 1781-1815

 

            Thomas Mann and Death in Venice (1912), pp. 1816-1869

 

      â Wallace Stevens (Early to Mid 1900’s), pp. 1877-11888

 

      â James Joyce and The Dead (1914), pp. 1888-1921

 

           Virginia Woolf and A Room of One’s Own, pp. 1922-1963

 

      â Franz Kafka and The Metamorphosis (1916), pp. 1964-1999

 

      â T.S. Eliot (Early to Mid 1900’s), pp. 1999-2027

 

      â Anna Akhmatova and Requiem (Mid 1900’s), pp. 2028-2038

 

      â Katherine Anne Porter and Flowering Judas, pp. 2038-2048

 

           William Faulkner (Mid 1900’s), pp. 2067-2095

 

      â Jean-Paul Sartre (Mid-1900’s), pp. 2102-2107

 

      â Jorge Luis Borges and The Garden of Forking Paths (1944), pp. 2179-2188

 

      â Albert Camus and The Guest (1942), pp. 2250-2262

 

      â Doris Lessing and Old Chief Mshlanga (1950-1958), pp. 2292-2304

 

      â Gabriel Gracia Marquez and Death Constant Beyond Love (1970), pp. 2348-2357

 

      â Alice Munro and Walker Brothers Cowboy (1968), pp. 2508-2520

 

 

 Other Selections as Assigned