Firelight

Ten years together without yet a cloud
They seek each other’s eyes at intervals
Of gratefulness to firelight and four walls
For love’s obliteration of the crowd.
Serenely and perennially endowed
And bowered as few may be, their joy recalls
No snake, no sword; and over them there falls
The blessing of what neither says aloud.

Wiser for silence, they were not so glad
Were she to read the graven tale of lines
On the wan face of one somewhere alone;
Nor were they more content could he have had
Her thoughts a moment since of one who shines
Apart, and would be hers if he had known.

Edwin Arlington Robinson (1869-1935)

 

 

 

Two Look at Two by Robert Frost

Love and forgetting might have carried them 
A little further up the mountain side 
With night so near, but not much further up. 
They must have halted soon in any case 
With thoughts of a path back, how rough it was 
With rock and washout, and unsafe in darkness; 
When they were halted by a tumbled wall 
With barbed-wire binding. They stood facing this, 
Spending what onward impulse they still had 
In One last look the way they must not go, 
On up the failing path, where, if a stone 
Or earthslide moved at night, it moved itself; 
No footstep moved it. 'This is all,' they sighed, 
Good-night to woods.' But not so; there was more. 
A doe from round a spruce stood looking at them 
Across the wall, as near the wall as they. 
She saw them in their field, they her in hers. 
The difficulty of seeing what stood still, 
Like some up-ended boulder split in two, 
Was in her clouded eyes; they saw no fear there. 
She seemed to think that two thus they were safe. 
Then, as if they were something that, though strange, 
She could not trouble her mind with too long, 
She sighed and passed unscared along the wall. 
'This, then, is all. What more is there to ask?' 
But no, not yet. A snort to bid them wait. 
A buck from round the spruce stood looking at them 
Across the wall as near the wall as they. 
This was an antlered buck of lusty nostril, 
Not the same doe come back into her place. 
He viewed them quizzically with jerks of head, 
As if to ask, 'Why don't you make some motion? 
Or give some sign of life? Because you can't. 
I doubt if you're as living as you look." 
Thus till he had them almost feeling dared 
To stretch a proffering hand -- and a spell-breaking. 
Then he too passed unscared along the wall. 
Two had seen two, whichever side you spoke from. 
'This must be all.' It was all. Still they stood, 
A great wave from it going over them, 
As if the earth in one unlooked-for favour 
Had made them certain earth returned their love. 

 

Silken Tent

She is as in a field a silken tent
At midday when the sunny summer breeze
Has dried the dew and all its ropes relent,
So that in guys it gently sways at ease,
And its supporting central cedar pole,
That is its pinnacle to heavenward
And signifies the sureness of the soul,
Seems to owe naught to any single cord,
But strictly held by none, is loosely bound
By countless silken ties of love and thought
To every thing on earth the compass round,
And only by one's going slightly taut
In the capriciousness of summer air
Is of the slightest bondage made aware.

The painting and the poem

Musee des Beaus Arts             

                                                              

"Landscape with the Fall of Icarus"--Breughel's Painting

Musee des Beaus Arts 

 

                             W. H. Auden

About suffering they were never wrong,
The old Masters: how well they understood
Its human position: how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.

In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water, and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on.