A PARABLE.[1] The sexton stood in the porch of Milford
meeting-house pulling lustily at the bell-rope. The old people of the village
came stooping along the street. Children with bright faces tripped merrily
beside their parents or mimicked a graver gait in the conscious dignity of
their Sunday clothes. Spruce bachelors looked sidelong at the pretty maidens,
and fancied that the Sabbath sunshine made them prettier than on week-days.
When the throng had mostly streamed into the porch, the sexton began to toll
the bell, keeping his eye on the Reverend Mr. Hooper's door. The first
glimpse of the clergyman's figure was the signal for the bell to cease its
summons. "But what has good Parson Hooper got upon
his face?" cried the sexton, in astonishment. All within hearing immediately turned about
and beheld the semblance of Mr. Hooper pacing slowly his meditative way
toward the meeting-house. With one accord they started, expressing more
wonder than if some strange minister were coming to dust the cushions of Mr.
Hooper's pulpit. "Are you sure it is our parson?"
inquired Goodman Gray of the sexton. "Of a certainty it is good Mr.
Hooper," replied the sexton. "He was to have exchanged pulpits with
Parson Shute of Westbury, but Parson Shute sent to excuse himself yesterday,
being to preach a funeral sermon." The cause of so much amazement may appear
sufficiently slight. Mr. Hooper, a gentlemanly person of about thirty, though
still a bachelor, was dressed with due clerical neatness, as if a careful
wife had starched his band and brushed the weekly dust from his Sunday's
garb. There was but one thing remarkable in his appearance. Swathed about his
forehead and hanging down over his face, so low as to be shaken by his
breath, Mr. Hooper had on a black veil. On a nearer view it seemed to consist
of two folds of crape, which entirely concealed his features except the mouth
and chin, but probably did not intercept his sight further than to give a
darkened aspect to all living and inanimate things. With this gloomy shade
before him good Mr. Hooper walked onward at a slow and quiet pace, stooping
somewhat and looking on the ground, as is customary with abstracted men, yet
nodding kindly to those of his parishioners who still waited on the
meeting-house steps. But so wonder-struck were they that his greeting hardly
met with a return. "I can't really feel as if good Mr.
Hooper's face was behind that piece of crape," said the sexton. "I don't like it," muttered an old
woman as she hobbled into the meeting-house. "He has changed himself
into something awful only by hiding his face." "Our parson has gone mad!" cried
Goodman Gray, following him across the threshold. A rumor of some unaccountable phenomenon had
preceded Mr. Hooper into the meeting-house and set all the
congregation astir. Few could refrain from twisting their heads toward the
door; many stood upright and turned directly about; while several little boys
clambered upon the seats, and came down again with a terrible racket. There
was a general bustle, a rustling of the women's gowns and shuffling of the
men's feet, greatly at variance with that hushed repose which should attend
the entrance of the minister. But Mr. Hooper appeared not to notice the
perturbation of his people. He entered with an almost noiseless step, bent
his head mildly to the pews on each side and bowed as he passed his oldest
parishioner, a white-haired great-grandsire, who occupied an arm-chair in the
centre of the aisle. It was strange to observe how
slowly this venerable man became conscious of something singular in the
appearance of his pastor. He seemed not fully to partake of the prevailing
wonder till Mr. Hooper had ascended the stairs and showed himself in the
pulpit, face to face with his congregation except for the black veil. That
mysterious emblem was never once withdrawn. It shook with his measured breath
as he gave out the psalm, it threw its obscurity between him and the holy
page as he read the Scriptures, and while he prayed the veil lay heavily on
his uplifted countenance. Did he seek to hide it from the dread Being whom he
was addressing? Such was the effect of this simple piece of
crape that more than one woman of delicate nerves was forced to leave the
meeting-house. Yet perhaps the pale-faced congregation was almost as fearful
a sight to the minister as his black veil to them. Mr. Hooper had the reputation of a good
preacher, but not an energetic one: he strove to win his people heavenward by
mild, persuasive influences rather than to drive them thither by the thunders
of the word. The sermon which he now delivered was marked by the same
characteristics of style and manner as the general series of his pulpit
oratory, but there was something either in the sentiment of the discourse
itself or in the imagination of the auditors which made it greatly the most powerful
effort that they had ever heard from their pastor's lips. It was tinged
rather more darkly than usual with the gentle gloom of Mr. Hooper's
temperament. The subject had reference to secret sin and those sad mysteries
which we hide from our nearest and dearest, and would fain conceal from our
own consciousness, even forgetting that the Omniscient can detect them. A
subtle power was breathed into his words. Each member of the congregation,
the most innocent girl and the man of hardened breast, felt as if the
preacher had crept upon them behind his awful veil and discovered their
hoarded iniquity of deed or thought. Many spread their clasped hands on their
bosoms. There was nothing terrible in what Mr. Hooper said—at least, no
violence; and yet with every tremor of his melancholy voice the hearers
quaked. An unsought pathos came hand in hand with awe. So sensible were the
audience of some unwonted attribute in their minister that they longed for a
breath of wind to blow aside the veil, almost believing that a stranger's
visage would be discovered, though the form, gesture and voice were those of
Mr. Hooper. At the close of the services the people
hurried out with indecorous confusion, eager to communicate their pent-up
amazement, and conscious of lighter spirits the moment they lost sight of the
black veil. Some gathered in little circles, huddled closely together, with
their mouths all whispering in the centre; some
went homeward alone, wrapped in silent meditation; some talked loudly and
profaned the Sabbath-day with ostentatious laughter. A few shook their
sagacious heads, intimating that they could penetrate the mystery, while one
or two affirmed that there was no mystery at all, but only that Mr. Hooper's
eyes were so weakened by the midnight lamp as to require a shade. After a brief interval forth came good Mr.
Hooper also, in the rear of his flock. Turning his veiled face from one group
to another, he paid due reverence to the hoary heads, saluted the middle-aged
with kind dignity as their friend and spiritual guide, greeted the young with
mingled authority and love, and laid his hands on the little children's heads
to bless them. Such was always his custom on the Sabbath-day. Strange and
bewildered looks repaid him for his courtesy. None, as on former occasions,
aspired to the honor of walking by their pastor's side. Old Squire
Saunders—doubtless by an accidental lapse of memory—neglected to invite Mr.
Hooper to his table, where the good clergyman had been wont to bless the food
almost every Sunday since his settlement. He returned, therefore, to the
parsonage, and at the moment of closing the door was observed to look back
upon the people, all of whom had their eyes fixed upon the minister. A sad
smile gleamed faintly from beneath the black veil and flickered about his
mouth, glimmering as he disappeared. "How strange," said a lady,
"that a simple black veil, such as any woman might wear on her bonnet,
should become such a terrible thing on Mr. Hooper's face!" "Something must surely be amiss with Mr.
Hooper's intellects," observed her husband, the physician of the
village. "But the strangest part of the affair is the effect of this
vagary even on a sober-minded man like myself. The
black veil, though it covers only our pastor's face, throws its influence
over his whole person and makes him ghost-like from head to foot. Do you not
feel it so?" "Truly do I," replied the lady;
"and I would not be alone with him for the world. I wonder he is not
afraid to be alone with himself." "Men sometimes are so," said her
husband. The afternoon service was attended with
similar circumstances. At its conclusion the bell tolled for the funeral of a
young lady. The relatives and friends were assembled in the house and the
more distant acquaintances stood about the door, speaking of the good
qualities of the deceased, when their talk was interrupted by the appearance
of Mr. Hooper, still covered with his black veil. It was now an appropriate
emblem. The clergyman stepped into the room where the corpse was laid, and
bent over the coffin to take a last farewell of his deceased parishioner. As
he stooped the veil hung straight down from his forehead, so that, if her
eye-lids had not been closed for ever, the dead maiden might have seen his
face. Could Mr. Hooper be fearful of her glance, that he so hastily caught
back the black veil? A person who watched the interview between the dead and
living scrupled not to affirm that at the instant when the clergyman's
features were disclosed the corpse had slightly shuddered, rustling the shroud
and muslin cap, though the countenance retained the composure of death. A
superstitious old woman was the only witness of this prodigy. From the coffin Mr. Hooper passed into the
chamber of the mourners, and thence to the head of the staircase, to make the
funeral prayer. It was a tender and heart-dissolving prayer, full of sorrow,
yet so imbued with celestial hopes that the music of a heavenly harp swept by
the fingers of the dead seemed faintly to be heard among the saddest accents
of the minister. The people trembled, though they but darkly understood him,
when he prayed that they and himself, and all of mortal race, might be ready,
as he trusted this young maiden had been, for the dreadful hour that should
snatch the veil from their faces. The bearers went heavily forth and the
mourners followed, saddening all the street, with
the dead before them and Mr. Hooper in his black veil behind. "Why do you look back?" said one in
the procession to his partner. "I had a fancy," replied she,
"that the minister and the maiden's spirit were walking hand in
hand." "And so had I at the same moment,"
said the other. That night the handsomest couple
in Milford village were to be joined in wedlock. Though reckoned a
melancholy man, Mr. Hooper had a placid cheerfulness for such occasions which
often excited a sympathetic smile where livelier merriment would have been
thrown away. There was no quality of his disposition which made him more
beloved than this. The company at the wedding awaited his arrival with impatience,
trusting that the strange awe which had gathered over him throughout the day
would now be dispelled. But such was not the result. When Mr. Hooper came,
the first thing that their eyes rested on was the same horrible black veil
which had added deeper gloom to the funeral and could portend nothing but
evil to the wedding. Such was its immediate effect on the guests that a cloud
seemed to have rolled duskily from beneath the black crape and dimmed the
light of the candles. The bridal pair stood up before the minister, but the
bride's cold fingers quivered in the tremulous hand of the bridegroom, and
her death-like paleness caused a whisper that the maiden who had been buried
a few hours before was come from her grave to be married. If ever another
wedding were so dismal, it was that famous one where they tolled
the wedding-knell. After performing the ceremony Mr. Hooper
raised a glass of wine to his lips, wishing happiness to the new-married
couple in a strain of mild pleasantry that ought to have brightened the
features of the guests like a cheerful gleam from the hearth. At that instant,
catching a glimpse of his figure in the looking-glass, the black veil
involved his own spirit in the horror with which it overwhelmed all others.
His frame shuddered, his lips grew white, he spilt
the untasted wine upon the carpet and rushed forth into the darkness, for the
Earth too had on her black veil. The next day the whole village of Milford
talked of little else than Parson Hooper's black veil. That, and the mystery
concealed behind it, supplied a topic for discussion between acquaintances meeting
in the street and good women gossipping at their
open windows. It was the first item of news that the tavernkeeper
told to his guests. The children babbled of it on their way to school. One
imitative little imp covered his face with an old black handkerchief, thereby
so affrighting his playmates that the panic seized himself and he wellnigh lost his wits by his own waggery. It was remarkable that, of all the busybodies
and impertinent people in the parish, not one ventured to put the plain
question to Mr. Hooper wherefore he did this thing. Hitherto, whenever there
appeared the slightest call for such interference, he had never lacked
advisers nor shown himself averse to be guided by their judgment. If he erred
at all, it was by so painful a degree of self-distrust that even the mildest
censure would lead him to consider an indifferent action as a crime. Yet,
though so well acquainted with this amiable weakness, no individual among his
parishioners chose to make the black veil a subject of friendly remonstrance.
There was a feeling of dread, neither plainly confessed nor carefully
concealed, which caused each to shift the responsibility upon another, till
at length it was found expedient to send a deputation of the church, in order
to deal with Mr. Hooper about the mystery before it should grow into a
scandal. Never did an embassy so ill discharge its duties. The minister
received them with friendly courtesy, but became silent after they were
seated, leaving to his visitors the whole burden of introducing their
important business. The topic, it might be supposed, was obvious enough.
There was the black veil swathed round Mr. Hooper's forehead and concealing
every feature above his placid mouth, on which, at times, they could perceive
the glimmering of a melancholy smile. But that piece of crape, to their
imagination, seemed to hang down before his heart, the symbol of a fearful
secret between him and them. Were the veil but cast aside, they might speak
freely of it, but not till then. Thus they sat a considerable time,
speechless, confused and shrinking uneasily from Mr. Hooper's eye, which they
felt to be fixed upon them with an invisible glance. Finally, the deputies
returned abashed to their constituents, pronouncing the matter too weighty to
be handled except by a council of the churches, if, indeed, it might not
require a General Synod. But there was one person in the village
unappalled by the awe with which the black veil had impressed all besides herself. When the deputies returned without an explanation,
or even venturing to demand one, she with the calm energy of her character
determined to chase away the strange cloud that appeared to be settling round
Mr. Hooper every moment more darkly than before. As his plighted wife it
should be her privilege to know what the black veil concealed. At the
minister's first visit, therefore, she entered upon the subject with a direct
simplicity which made the task easier both for him and her. After he had
seated himself she fixed her eyes steadfastly upon the veil, but could
discern nothing of the dreadful gloom that had so overawed the multitude; it
was but a double fold of crape hanging down from his forehead to his mouth
and slightly stirring with his breath. "No," said she, aloud, and smiling,
"there is nothing terrible in this piece of crape, except that it hides
a face which I am always glad to look upon. Come, good sir; let the sun shine
from behind the cloud. First lay aside your black veil, then
tell me why you put it on." Mr. Hooper's smile glimmered faintly. "There is an hour to come," said he,
"when all of us shall cast aside our veils. Take it not amiss, beloved
friend, if I wear this piece of crape till then." "Your words are a mystery too,"
returned the young lady. "Take away the veil from them, at least." "Elizabeth, I will," said he,
"so far as my vow may suffer me. Know, then, this veil is a type and a
symbol, and I am bound to wear it ever, both in light and darkness, in
solitude and before the gaze of multitudes, and as with strangers, so with my
familiar friends. No mortal eye will see it withdrawn. This dismal shade must
separate me from the world; even you, Elizabeth, can never come behind
it." "What grievous affliction hath befallen
you," she earnestly inquired, "that you should thus darken your eyes
for ever?" "If it be a sign of mourning,"
replied Mr. Hooper, "I, perhaps, like most other mortals, have sorrows
dark enough to be typified by a black veil." "But what if the world will not believe
that it is the type of an innocent sorrow?" urged Elizabeth.
"Beloved and respected as you are, there may be whispers that you hide
your face under the consciousness of secret sin. For the sake of your holy
office do away this scandal." The color rose into her cheeks as she
intimated the nature of the rumors that were already abroad in the village.
But Mr. Hooper's mildness did not forsake him. He even smiled again—that same
sad smile which always appeared like a faint glimmering of light proceeding
from the obscurity beneath the veil. "If I hide my face for sorrow, there is
cause enough," he merely replied; "and if I cover it for secret
sin, what mortal might not do the same?" And with this gentle but
unconquerable obstinacy did he resist all her entreaties. At length Elizabeth sat silent. For a few
moments she appeared lost in thought, considering, probably, what new methods
might be tried to withdraw her lover from so dark a fantasy, which, if it had
no other meaning, was perhaps a symptom of mental disease. Though of a firmer
character than his own, the tears rolled down her cheeks. But in an instant,
as it were, a new feeling took the place of sorrow: her eyes were fixed
insensibly on the black veil, when like a sudden twilight in the air its
terrors fell around her. She arose and stood trembling before him. "And do you feel it, then, at last?"
said he, mournfully. She made no reply, but covered her eyes with
her hand and turned to leave the room. He rushed forward and caught her arm. "Have patience with me, Elizabeth!"
cried he, passionately. "Do not desert me though this veil must be
between us here on earth. Be mine, and hereafter there shall be no veil over
my face, no darkness between our souls. It is but a mortal veil; it is not
for eternity. Oh, you know not how lonely I am, and how frightened to be alone
behind my black veil! Do not leave me in this miserable obscurity for ever." "Lift the veil but once and look me in
the face," said she. "Never! It cannot be!" replied Mr.
Hooper. "Then farewell!" said Elizabeth. She withdrew her arm from his grasp and slowly
departed, pausing at the door to give one long, shuddering gaze that seemed
almost to penetrate the mystery of the black veil. But even amid his grief
Mr. Hooper smiled to think that only a material emblem had separated him from
happiness, though the horrors which it shadowed forth must be drawn darkly
between the fondest of lovers. From that time no attempts were made to remove
Mr. Hooper's black veil or by a direct appeal to discover the secret which it
was supposed to hide. By persons who claimed a superiority
to popular prejudice it was reckoned merely an eccentric whim, such as often
mingles with the sober actions of men otherwise rational and tinges them all
with its own semblance of insanity. But with the multitude good Mr. Hooper
was irreparably a bugbear. He could not walk the street with any peace of
mind, so conscious was he that the gentle and timid would turn aside to avoid
him, and that others would make it a point of hardihood to throw themselves in his way. The impertinence of the latter
class compelled him to give up his customary walk at sunset to the
burial-ground; for when he leaned pensively over the gate, there would always
be faces behind the gravestones peeping at his black veil. A fable went the
rounds that the stare of the dead people drove him thence. It grieved him to
the very depth of his kind heart to observe how the children fled from his
approach, breaking up their merriest sports while his melancholy figure was
yet afar off. Their instinctive dread caused him to feel more strongly than
aught else that a preternatural horror was interwoven with the threads of the
black crape. In truth, his own antipathy to the veil was known to be so great
that he never willingly passed before a mirror nor stooped to drink at a
still fountain lest in its peaceful bosom he should be affrighted by himself.
This was what gave plausibility to the whispers that Mr. Hooper's conscience
tortured him for some great crime too horrible to be entirely concealed or
otherwise than so obscurely intimated. Thus from beneath the black veil there
rolled a cloud into the sunshine, an ambiguity of sin or sorrow, which
enveloped the poor minister, so that love or sympathy could never reach him.
It was said that ghost and fiend consorted with him there. With self-shudderings and outward terrors he walked continually in
its shadow, groping darkly within his own soul or gazing through a medium
that saddened the whole world. Even the lawless wind, it was believed,
respected his dreadful secret and never blew aside the veil. But still good
Mr. Hooper sadly smiled at the pale visages of the worldly throng as he
passed by. Among all its bad influences, the black veil
had the one desirable effect of making its wearer a very efficient clergyman.
By the aid of his mysterious emblem—for there was no other apparent cause—he
became a man of awful power over souls that were in agony for sin. His
converts always regarded him with a dread peculiar to themselves, affirming,
though but figuratively, that before he brought them to celestial light they
had been with him behind the black veil. Its gloom, indeed, enabled him to
sympathize with all dark affections. Dying sinners cried aloud for Mr. Hooper
and would not yield their breath till he appeared, though ever, as he stooped
to whisper consolation, they shuddered at the veiled face so near their own.
Such were the terrors of the black veil even when Death had bared his visage.
Strangers came long distances to attend service at his church with the mere
idle purpose of gazing at his figure because it was forbidden them to behold
his face. But many were made to quake ere they departed. Once, during
Governor Belcher's administration, Mr. Hooper was appointed to preach the
election sermon. Covered with his black veil, he stood before the chief
magistrate, the council and the representatives, and wrought so deep an
impression that the legislative measures of that year were characterized by
all the gloom and piety of our earliest ancestral sway. In this manner Mr. Hooper spent a long life, irreproachable
in outward act, yet shrouded in dismal suspicions; kind and loving, though
unloved and dimly feared; a man apart from men, shunned in their health and
joy, but ever summoned to their aid in mortal anguish. As years wore on,
shedding their snows above his sable veil, he acquired a name throughout the
New England churches, and they called him Father Hooper. Nearly all his
parishioners who were of mature age when he was settled had been borne away
by many a funeral: he had one congregation in the church and a more crowded
one in the churchyard; and, having wrought so late into the evening and done
his work so well, it was now good Father Hooper's turn to rest. Several persons were visible by the shaded
candlelight in the death-chamber of the old clergyman. Natural connections he
had none. But there was the decorously grave though unmoved physician,
seeking only to mitigate the last pangs of the patient whom he could not
save. There were the deacons and other eminently pious members of his church.
There, also, was the Reverend Mr. Clark of Westbury, a young and zealous
divine who had ridden in haste to pray by the bedside of the expiring
minister. There was the nurse—no hired handmaiden of Death, but one whose
calm affection had endured thus long in secrecy, in solitude, amid the chill
of age, and would not perish even at the dying-hour. Who but Elizabeth! And
there lay the hoary head of good Father Hooper upon the death-pillow with the
black veil still swathed about his brow and reaching down over his face, so
that each more difficult gasp of his faint breath caused it to stir. All
through life that piece of crape had hung between him and the world; it had
separated him from cheerful brotherhood and woman's love and kept him in that
saddest of all prisons his own heart; and still it lay upon his face, as if
to deepen the gloom of his darksome chamber and shade him from the sunshine
of eternity. For some time previous his mind had been
confused, wavering doubtfully between the past and the present, and hovering
forward, as it were, at intervals, into the indistinctness of the world to
come. There had been feverish turns which tossed him from side to side and
wore away what little strength he had. But in his most convulsive struggles
and in the wildest vagaries of his intellect, when no other thought retained
its sober influence, he still showed an awful solicitude lest the black veil
should slip aside. Even if his bewildered soul could have forgotten, there
was a faithful woman at his pillow who with averted eyes would have covered
that aged face which she had last beheld in the comeliness of manhood. At length the death-stricken old man lay
quietly in the torpor of mental and bodily exhaustion, with an imperceptible
pulse and breath that grew fainter and fainter except when a long, deep and
irregular inspiration seemed to prelude the flight of his spirit. The minister of Westbury approached the
bedside. "Venerable Father Hooper," said he,
"the moment of your release is at hand. Are you ready for the lifting of
the veil that shuts in time from eternity?" Father Hooper at first replied merely by a
feeble motion of his head; then—apprehensive, perhaps, that his meaning might
be doubtful—he exerted himself to speak. "Yea," said he, in faint accents;
"my soul hath a patient weariness until that veil be lifted." "And is it fitting," resumed the
Reverend Mr. Clark, "that a man so given to prayer, of such a blameless
example, holy in deed and thought, so far as mortal judgment may
pronounce,—is it fitting that a father in the Church should leave a shadow on
his memory that may seem to blacken a life so pure? I pray you, my venerable
brother, let not this thing be! Suffer us to be gladdened by your triumphant
aspect as you go to your reward. Before the veil of eternity be lifted let me cast aside this black veil from your
face;" and, thus speaking, the Reverend Mr. Clark bent forward to reveal
the mystery of so many years. But, exerting a sudden energy that made all
the beholders stand aghast, Father Hooper snatched both his hands from
beneath the bedclothes and pressed them strongly on the black veil, resolute
to struggle if the minister of Westbury would contend with a dying man. "Never!" cried the veiled clergyman.
"On earth, never!" "Dark old man," exclaimed the
affrighted minister, "with what horrible crime upon your soul are you
now passing to the judgment?" Father Hooper's breath heaved: it rattled in
his throat; but, with a mighty effort grasping forward with his hands, he
caught hold of life and held it back till he should speak. He even raised
himself in bed, and there he sat shivering with the arms of Death around him,
while the black veil hung down, awful at that last moment in the gathered
terrors of a lifetime. And yet the faint, sad smile so often there now seemed
to glimmer from its obscurity and linger on Father Hooper's lips. "Why do you tremble at me alone?"
cried he, turning his veiled face round the circle of pale spectators.
"Tremble also at each other. Have men avoided me and women shown no pity
and children screamed and fled only for my black veil? What but the mystery
which it obscurely typifies has made this piece of crape so awful? When the
friend shows his inmost heart to his friend, the lover to his best-beloved;
when man does not vainly shrink from the eye of his Creator, loathsomely
treasuring up the secret of his sin,—then deem me a monster for the symbol
beneath which I have lived and die. I look around me, and, lo! on every visage a black veil!" While his auditors shrank from one another in
mutual affright, Father Hooper fell back upon his pillow, a veiled corpse
with a faint smile lingering on the lips. Still veiled, they laid him in his
coffin, and a veiled corpse they bore him to the grave. The grass of many
years has sprung up and withered on that grave, the burial-stone is
moss-grown, and good Mr. Hooper's face is dust; but awful is still the
thought that it mouldered beneath the black veil. |